Sunday, May 30, 2010

Image & Text Development



So here's the second version of my new text based project. This time I found some words from a women's magazine called 'Allure', but also from a pretty decent feminist art blog that's part of 'Bitch' magazine's website (http://bitchmagazine.org/blogs/smart) which adds a nice spot of contrast. What's more, the words from the art blog are small joining words that are overpowered by the bold brightly coloured words from the women's magazines.

While typing this up I considered rearranging and cropping the image, so I produced this version.



To me, this second version looks like a post card or a photograph with clippings taped to it. It causes me to consider presenting the image in that way, with perhaps a real coin glued to the front.

New images...

My semi-transparent print arrived, but it's not quite what I was hoping for. Aside from it being a little yellow looking, it was exactly as ordered, but I've realized that it's far too small. I asked around a few people and they all agreed that it needs to be bigger.

This means I'll probably have to instead opt for a poster print, and what's more , I should get on to it soon. To retain the transparency on the white parts I could cut them out and/or replace them with clear cellophane, although then I'm running the risk of ruining my print and having to pay for another...
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In more recent news, I've since been working with the original image again, this time experimenting with text. I used both the colour and black and white versions in order to highlight the coin, which otherwise whited out into an indistinct circle.



The above image is my first, but I intend to make a series, experimenting with different words and combinations.
I've been taking words the stand out at me from the raunchy, hyper sexualized women's 'Cosmopolitan' magazine website by taking screenshots of the pages, then digitally cutting and pasting them into my image. I could have easily reproduced them myself to achieve higher quality, but I like the authenticity of using the exact text that I've seen on my screen, and the way in which the shallow writing also degrades in a visual manner when I enlarge the text to suit the image.

When I took the word 'lust' I saw that it already had some colour around it as a result of compression, so I took Thomas Ruff's technique from his "JPEGs" series and enlarged the word to 80,000 pixels (which took ages on my measly processor), before shrinking it back down again, then enlarging it once more to the desired size. The effect isn't very obvious in the version on this blog, but this is also due to the fact that I would've had to enlarge the text even more in order to create a noticeable effect. That, however, would probably be the death of my PC.

This idea is also very obviously linked to the work of Barbara Kruger.
The above image struck me while I was researching for my theory essay, and served as my main inspiration for adding text to my image. Kruger's work is also strongly based in Feminism, challenging both the objectification of women and male power. A critical difference between her work and mine, though, is that her text is directed at men, whereas mine is challenging the women. Kruger is challenging male actions and expectations, while I'm challenging the women to think critically about how they may be encouraging such things. My work is reflective of my belief that much of the sexism faced by women today is created by their own actions - forever falsifying their image and conforming to expectations, then complaining of objectification and shallowness.

Another difference is that my text is taken from subject matter, while Kruger's is always added in her own way, giving her work it's distinct visual style.


So for now it's back to photoshop, then it's time to find some other women's websites full of self-degrading, dis-empowering advice...

Sunday, May 16, 2010

A brief analysis of my latest image...





















In the latest version of my work, the defiant female image suggests a feminist undercurrent, yet this idea is watered down by the repetition. All the female images in their uniform colour, brown, tan, grey, green, black, white... blend together to create a collection of defiant yet bland figures, united in failing to convey their point, defeating themselves through mass uniformity. While the red image stands out at us, the fierce hue clashes against the passive tones of the others, and although the stare is the same, it seems to carry more weight in comparison. The red image defies the uniformity and self condemnation of the other nameless faces to create it's own identity.

I feel as though I'm closing in on a final idea with this image. Although further trials and tinkering is in order to establish suitable colour and presentation formats. I am currently waiting on a semi-transparent sticker print which I intend to mount on a window or on a sheet of perspex (for ease of re-location). I also intend to re-colour the present image to establish some uniformity with the colours, as currently, not all the browns are the same brown and not all the greens are the same green. I want to see what the image would look like with less colours.

Sunday, May 9, 2010

Bad Advice

Just an amusing parody I found on Cracked.com that kind of relates to my work.
LINK

Tuesday, May 4, 2010

Crossover with Life Drawing

For life drawing, I used my coin image as a starting point for a self portrait, which came out something like this...
I photographed it to digitize it (because my scanner is too small) and have since been working on alternate colourings.
Here's a recent collection of the images that I like to call 'Prototype'. I'll get back to the significance/explanation/etc later on.



It's just a rough draft at the moment, so I'll be revisiting it to add more images, rearrange and change the colours.